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Everyone with even a glancing interest in pop knows Bohemian Rhapsody, which means its sheer audacity is easy to overlook.
The New York Times
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Bruce, now grown into an affluent and confident man of the world, allows himself a moment of nostalgic reverie for a scene populated by “painters of bile-green landscapes, Cubist photographers, poets and iconoclasts, resident Dadaists, scorners of the bourgeoisie, makers of cherished prose, dream-tellers, correspondence-school psychoanalysts” and other bohemian types.